Individual and Cultural Differences in Sound Perception: An Exploratory Study
Abstract
Most studies on sound perception use a two-dimensional arousal–valence model, plotting responses along pleasant–unpleasant and calm–excited scales. Despite being a valuable method, it oversimplifies auditory experience, often neglecting links to shapes, colours or memories. Moreover, most research on sound perception has focused on participants from Western, Educated, Industrialised, Rich, and Democratic (WEIRD) societies, leaving many cultures understudied. For example, little research has examined how Algerians experience sounds. Similarly, uncommon sound types such as infrasound or recordings from space have received negligible attention. This study explores how Algerian and international participants perceive a diverse set of sounds, considering not only emotions but also sensations, memory recall, and cross-modal associations, through testing the influence of neurodivergence, musical training, age and gender. An online survey was conducted among a diverse sample (N=94) with strong representation from Algeria. Participants were asked to listen to ten sound clips and report their experiences. The analysis shows low awareness of neurodivergence in Algeria, while geophonic and classical sounds more often trigger memory recall. Neurodivergent participants express greater tolerance for low-frequency sounds and also exhibit distinct colour–shape mappings along with stronger musical training. These results suggest that cultural background, neurodivergence, and musical training all influence how people perceive sound. Instead of relying solely on traditionally “calming” sounds, therapies, educational programmes, and learning environments, they could benefit from more personalised approaches that consider unconventional frequencies and textures, which may be particularly meaningful or enjoyable for certain groups.
Keywords: Sound perception, culture, neurodivergence, musical training, cross-modal associations
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